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Excerpt from a longer text Sociologists connect tattooing to the underground, the periphery, to something forbidden, suppressed. This is why it is connected to both the subconscious and the underground.

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Some forms of the underground were probably first made visible by Dadaism in poetry and art. According to the owner of a salon in the nineties tattoo is only a fashion, respected and influential people, politicians, businessmen, scientists, designer have tattoos.

It can be a sample, a simple pattern, it can be the highest artistic value, good or bad quality, but morally it is something neutral.

  1. Теперь путешественники увидели здания - крошечные белые вкрапления, разбросанные повсюду, кроме океанского дна.
  2. Джизирак прямо сказал ему, что не знает пути, ведущего из Диаспара, и что сам он сомневается в его существовании.
  3. Никто, говорил он своим слушателям, не в состоянии исчерпать все сокровища города за любой -- даже немыслимо долгий -- срок.
  4. Голос Сирэйнис, когда она заговорила, был исполнен тревоги, и у Олвина внезапно родилось впечатление, что в тех планах, которые Лиз строил в отношении его, что-то не сработало.
  5. Syrian Voices Mediation and Art – Syrian Voices Mediation and Art – Design – Architecture
  6. Szerkesztő:budapesteagles.hu – Wikipédia

I do not agree with the opinion that tattoo is only a fashion — although sometimes design is more progressive than anything else in culture, as we could realise it, when the post-bauhaus designer Tibor Kálmán founded Colors Magazine in NY. Great statement for human rights and against racism. Colors was a most innovative fusion of Design, Pop and context-based conceptual art although. Why is tattoo needed in contemporary art?

Is it filling a gap?

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I have no exact answers yet. Culture has to touch reality. And this is true, but it does still not touch the essence of the question: Why Tattoo in High Art and Avantgarde? Maybe it is especially valuable, because 3D-plotter offer the possibility to make fakes and copies of paintings, graphic design and texts so easily! It can not be stolen or copied. In European tattoos are viewed as an act of rebellion or revolt. It was Hadrian, who prohibited them among others in He said: «Hi, you scribble on your body?

A gift from God. Islam and Judaism prohibited it several times. But not always. For example from the Maori culture. Sailors in California wear at least three tattoos: One is made when they leave the harbour, one is made, when they arrive to the port, and one, when return luckily to their home-town or place of birth.

The three tattoos mean, that they survived the travel. An other chapter of traditional tattoo flourished in state-socialist times in the prisons, mainly in Russia, but also in Hungary. Officially it is was prohibited to promote tattoos, because state-socialism treated it as bourgeois deviance as in democratic countries, it was not prohibited.

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In the Amazonas it was a matter of believe and spirit. God or the Goddess would not see those, who do not wear a sign on their body to separate them from the chaos of the jungle. I can imagine very well the effect of a sudden flash of a well drawn tattoo on a shoulder in the endless bushes.

Korábban szempillák növesztésére szolgáló gyógyszer glaukóma kezelésére Svájci diplomácia és elkötelezettség az oktatás, a kultúra és az üzleti élet területén. Svájci órák a Chronoen - a luxusórák nemzetközi piacterén. Széles választék Vonzó árak Vásárlóvédelem. Svájc hivatalos képviseleteként a nagykövetség tevekénységei a két kormány közötti diplomáciai kapcsolatok minden aspektusára kiterjednek. A követség képviseli Svájc érdekeket a politika, a gazdaság, a pénzügy, a jogrend, a tudomány, az oktatás és a kultúra területén.

Maybe a geometric pattern as sign of the presence of the Almighty. In Africa there is a culture of scarification. Incredibly strong wooden sculptures and portrait with scarified skin patterns are shown world-wide in the big museums and also photos of skins with scarification patterns and several types of body-modification.

They speak for themselves. It is a strong expression, when we turn as a sculpture to our own body, or the tribe független vélemények az anti aging krémekről our body — often in painful way.

Contemporary artists have picked up this idea in a less harmful, often rather humorous way. The message: Hi I am still alive and this is my story. It appears on tattoos and on photos about tattoos, drawings installation, walldrawings and grafitty. Postscript: If we condemned all thingswhich were once prohibited by leaders of the monotheist religions and which we imported from ancient or tribal cultures, we would have no potato, no tomatoes, no easter eggs, no carnival.

Big parts of Hungarian folk-songs and rock would go astray. We would not recognise ourselves.

So this is a plea for Tattoo. Roza El-Hassan November Click on the small picture to see the image in bigger.

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My Concept for show Authentic from September — I am still looking for a space or museum to host it. Authentic is based on three things, which touched me mostly during the last ten years, authentic things. It was my exhibition concept for the Hungarian Pavillon in Venice, but the realisation was not made possible.

Они располагали довольно обширным запасом слов, и до Элвина часто доносились их хвастливые разговоры о прошлых и будущих победах. Когда он пытался проявить дружелюбие и принять участие в беседе, животные изображали непонимание, а если он был настойчив, то они галопом мчались прочь с видом оскорбленного достоинства. Этих двух видов животных было достаточно для всех обычных нужд.

As I expected it One of these is the tattoo scene in Budapest, mainly anonymous and young people, the other are painting and grafitty by Jean Michel Basquaite. Although I did not see personally his big exhibition in Paris, I took time to look at the photo again and again, which I received from a Hungarian tattoo artist, who was just in Paris and enthusiastic about it. The third series, which I would show is something, that touched me deeply. I initiated the workshops and collections of these children drawings in in Turkey.

I have also the stories, which belong to these drawings. The tattoo-artists, Basquaite and the children bring up images from the deepest deepemotional and mental levels. They are expressive. They all arrived from the periphery.

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Although Basquaite became very famous, he begun his career as a suburban gravfitty artist. Tattoos became also fashionable in marginalised communities in Europe such as the prisoners, sailers and pirates more then hundred years ago.

It is a very brave gesture to tattoo on the living body. Expressive in the purest sense. Today we see very few authentic pictures, artefacts. In the exhibition I would show in a very simple way these three groups of images. Jean Michel Basquaise Gravity artist and painter. Born in New York. Tattoo Artists: As I wrote, they are mostly anonymous, maybe they would work in masks, which covers their face completely and they would sew their motives or drawings by other international or local artists as tattoos on visitors upon appointment.

Their anonymity or personal appearance with their names we would decide later, when the project is in progress. They depicted the horror of the war touching my heart and without any visual cliches. I would exhibtit only a small selection and maybe I would like cover a few political logos although I am not sure, if this is politically correct, but the visual elements of the drawings show the elementary and exact images of the core of the events.

There is something enigmatic about them, some questions remained unanswered: How could children analyse and depict what happened in such a precise way in the moment of trauma?

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In For sure, regio basiliensis svájc anti aging paintings by Basquaite make it easier to understand and to approach because he is one of the figures arising from the underground, who is very respected by the young tattoo scene. Some parts I would enlarge and the stories told by the children.

I would also show. It is easy to install these three elements from curatorial aspect. Maybe the tattoo artists would need some more intimacy, dressing cabins for the visitors to be tattoo.

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How will we present the drawings? And how will we present the documentation of the tattoo body parts? A visit of the exhibition hall before the regio basiliensis svájc anti aging takes place would be necessary or at leat not bad.

Так как же, спрашивается, Диаспар достиг этой своей исключительной стабильности.

The original works by Basquaite would be a loan coming from international collections? If so, this needs special technical requirements. The three elements would make sure, that the Pavillon has many visitors. Not just because of the broad popularity of Basquaite, but also because of the tattoo salon: the visitors could reserve appointments for an original tattoo of high artistic value, who they will carry all their life.

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Together with the drawings the project will have a strong anti-war message. The exhibition will be accompanied by a catalogue and by a book about which introduces the aspects of contemporary tattoo.

The honoured jury of the Hungarian Pavillon in Venice and me could decide together, if I remain as a curator anonymous under pseudonym Janka Kovacs of appear with my name Roza El-Hassan. At this moment I can not present the usually necessary signed declaration of the artists, if they would like to participate: Jean Michel Basquaite is no longer alive.

The children, who made the drawings in in the camp are somewhere in the world. I did not receive a permission from the underground tattoo artists for my previous curatorial proposal, which I planned to show in Vienna.

I would like to ask therefore the honoured jury not to present their names in the press without their final permission. If my proposal wins this contest, the tattoo artists could be listed anonymously or with their artist-blogger name or real names upon agreement.

First I thought about three or five tattoo-artists and maybe some further artists, regio basiliensis svájc anti aging Hungarian and international, who offer their drawings or work as tattoo motives on living bodies. He could be as well shown as Jean Michel Basquaite. There were also anonymousHungarian street- artists since the nineties.

Pictures: Jean Michel Basquaite — painting from the internet. Drawing by Tattoo artist Jjjanon J. Tattoo by A. Since I do not have copyright permission the pictures are illustrative and can not be coped for any commercial use.

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Attachment 1. In German Language — a sketch for a book about contemporary tattoo. The jury decided to prolong the contest and they offered us the possibility to work on the details of the project proposal. The new deadline was December 1. One of their argument was, that the new quarantine rules in the country offers a lot of time to work on the details. According to the general practice of the Hungarian Pavillon Contest and possibility to make proposals for the Pavillon is open to public and all people with professional practice.

Since I had very little possibilities to present my conceptual works, texts and works. I was very happy to find a niche for a presentation and public. Following the first presentation I found the discussion with the jury — well known colleagues of my age — their critique and comments very interesting and thought a protocol of this talk could be a starting point for further work.

It could be also helpful to analyse the svájci öregedésgátló teherautó-sofőr. Anyway I send the protocol to the jury. Here follows the translation of my Hungarian protocol. I did not ask for a projector, since I was afraid of technical errors of their system, which would make my presentation look clumsy.

Szemkezelés svájc

Wherever I present my thoughts I need szemcsepp szúró szemre double check the technique. So I printed to pictures of the presentation on paper and put the on a table. A few pictures about tattoos were lost when I printed them in a print-shop in the city just before the lecture, but I had no time to correct it.

Luckily I had a few papers printed earlier, so I tried to replace as many from the erased files on my pen drive as I could. The core of the presentation was not lost. The technicians of the museum were polite. They made place for all my heaps of papers and pictures on a big table. I started the lecture with the presentation of those parts, which I did not send with the original proposal by post: possible spatial solutions, The idea the change all the space regio basiliensis svájc anti aging the Pavillon and to remove the huge glass walls.

Maybe the atrium should be covered as protection against rain. Following this, I presented the dossiers with the pictures. Some of them were teenager and very active blogger, designer- painter. In those years I realised, that there is a new voice of very young people in politics and culture: Braveness and naivety characterised them. Something happened what was really new: pop- culture, but still different. Youth-culture and child-culture.

Regio basiliensis svájc anti aging I collected more then 10 pictures from bloggers on Facebook, and showed the parts of the archive in a cultural center and exhibition hall led by Armenian artists in Istanbul. The archive was not fully accessible due to technical errors.

I added, that I might be not alone or isolated with this observation about the new role of the youth in Syria. Even in Scandinavia, Sweden and other countries teenager or nearly children became the leaders of human rights and environmental movements.

This sentence of mine was commented, received critique from the jury: Children are often campaign faces and exploited by the elder ones. Young people tend to idealism regio basiliensis svájc anti aging enter in a really naive way many situations.

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  • Ее длинные, солнечного цвета волосы были тронуты серебром, что, как он догадался, должно было каким-то образом указывать на ее возраст.
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I answered, that I did not think about this aspect. Maybe child- work is also exploitation of children in art and activism by adults and parents. On the other hand, we experience in culture often, that the clear joyance of children is and very young adults is used as an artistic form by authors, who are themselves a bit infantile I thought about myself.

I did not tell exact examples, about most famous work of literature, a novel, when authors has shown us the world through the eyes of children. So I dared not start to talk about a Nobel- price winning Hungarian book about the Holocaust through the eyes of a teenager, but I hoped that the jury would again know, whom I mean. At the end of the presentation the director of the museum and jury asked silently, if the Syrian children- drawing has not been shown already earlier in her museum.